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"By chibueze"
8 February, 2018.
Dailyinfox Inc..
(DIB) ©
8 February, 2018.
Dailyinfox Inc..
(DIB) ©
Christian/Gospel Music – Songs, Albums & Artists -
Christian and Gospel is the sound of the devout putting their faith into song. While requiems, hymns, and gospel have long been part of worship,
.
.
The Songs of High Worship, Praise and Deliverance will help you keep the right focus",
and make it through each day.
Psalm: 121
and make it through each day.
Psalm: 121
(The Message)
I look up to the mountains,
where will my help come from??
.
Gosel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music usually has dominant vocals
(often with strong use of harmony) with Christian lyrics. Gospel music can be traced to the early 17th century, with roots in the black oral tradition.
where will my help come from??
Gospel music
Is a genre of Christian music. The creation, performance, significance, and even the definition of gospel music varies according to culture and Races..
Gosel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music usually has dominant vocals
(often with strong use of harmony) with Christian lyrics. Gospel music can be traced to the early 17th century, with roots in the black oral tradition.
Hymns and sacred songs were often repeated in a call and response fashion. Most of the churches relied on hand clapping and foot stomping as rhythmic accompaniment. Most of the singing was done a cappella . The first published use of the term "gospel song" probably appeared in 1874. The original gospel songs were written and composed by authors such as George F. Root, Philip Bliss ,
Charles H. Gabriel , William Howard Doane , and Fanny Crosby . Gospel music publishing houses emerged. The advent of radio in the 1920s greatly increased the audience for gospel music. Following World War II , gospel music moved into major auditoriums, and gospel music concerts became quite elaborate.
Augustus Toplady ("Rock of Ages"), members of the Anglican Church . Starting out as lyrics only, it took decades for standardized tunes to be added to them. Although not directly connected with African-American gospel music, they were adopted by African-Americans as well as white Americans, and Newton's connection with the abolition movement provided cross-fertilization.
The first published use of the term "Gospel Song" probably appeared in 1874 when Philip Bliss released a songbook entitled Gospel Songs. A Choice Collection of Hymns and Tunes . It was used to describe a new style of church music, songs that were easy to grasp and more easily singable than the traditional church hymns , which came out of the mass revival movement starting with Dwight L. Moody, whose musician was Ira D. Sankey , as well as the Holiness-
Pentecostal movement. [3] Prior to the meeting of Moody and Sankey in 1870, there was an American rural/frontier history of revival and camp meeting songs, but the gospel hymn was of a different character, and it served the needs of mass revivals in the great cities.
The revival movement employed popular singers and song leaders, the most famous of them being Ira D. Sankey. The original gospel songs were written and composed by authors such as George F. Root , Philip Bliss , Charles H. Gabriel , William Howard Doane , and Fanny Crosby .
As an extension to his initial publication Gospel Songs , Philip Bliss, in collaboration with Ira D. Sankey issued no's. 1 to 6 of Gospel Hymns in 1875. Sankey and Bliss's collection can be found in many libraries today.
The popularity of revival singers and the openness of rural churches to this type of music (in spite of its initial use in city revivals) led to the late 19th and early 20th century establishment of gospel music publishing houses such as those of Homer Rodeheaver , E. O. Excell, Charlie Tillman, and Charles Tindley . These publishers were in the market for large quantities of new music, providing an outlet for the creative work of many songwriters and composers.
Charlie Daniels and Barbara Mandrell , just to name a few, began recording music that had this positive Christian country flair. These mainstream artists have now become award winners in this genre.
The distinctive sound is heavily influenced by UK street culture with many artists from the African and Caribbean majority black churches in the UK. The genre has gained recognition in various awards such as the GEM
(Gospel Entertainment Music) Awards,
MOBO Awards ,
Urban Music Awards and has its own Official Christian & Gospel Albums Chart,
Gold reviewed the issue in 1958, and collected a number of quotations similar to the complaints of Patrick and Syndor. However, he also provided this quotation: "Gospel hymnody has the distinction of being America's most typical contribution to Christian song. As such, it is valid in its inspiration and in its employment."
Today, with historical distance, there is a greater acceptance of such gospel songs into official denominational hymnals. For example, the United Methodist Church made this acceptance explicit in The Faith We Sing , a supplement to the official denominational hymnal. In the preface, the editors say, "Experience has shown that some older treasures were missed when the current hymnals were compiled."
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Charles H. Gabriel , William Howard Doane , and Fanny Crosby . Gospel music publishing houses emerged. The advent of radio in the 1920s greatly increased the audience for gospel music. Following World War II , gospel music moved into major auditoriums, and gospel music concerts became quite elaborate.
18th century
Perhaps the most famous gospel-based hymns were composed in the 1760s-1770s by English writers John Newton ("Amazing Grace") andAugustus Toplady ("Rock of Ages"), members of the Anglican Church . Starting out as lyrics only, it took decades for standardized tunes to be added to them. Although not directly connected with African-American gospel music, they were adopted by African-Americans as well as white Americans, and Newton's connection with the abolition movement provided cross-fertilization.
19th century
Main article: Gospel Song (19th century)The first published use of the term "Gospel Song" probably appeared in 1874 when Philip Bliss released a songbook entitled Gospel Songs. A Choice Collection of Hymns and Tunes . It was used to describe a new style of church music, songs that were easy to grasp and more easily singable than the traditional church hymns , which came out of the mass revival movement starting with Dwight L. Moody, whose musician was Ira D. Sankey , as well as the Holiness-
Pentecostal movement. [3] Prior to the meeting of Moody and Sankey in 1870, there was an American rural/frontier history of revival and camp meeting songs, but the gospel hymn was of a different character, and it served the needs of mass revivals in the great cities.
The revival movement employed popular singers and song leaders, the most famous of them being Ira D. Sankey. The original gospel songs were written and composed by authors such as George F. Root , Philip Bliss , Charles H. Gabriel , William Howard Doane , and Fanny Crosby .
As an extension to his initial publication Gospel Songs , Philip Bliss, in collaboration with Ira D. Sankey issued no's. 1 to 6 of Gospel Hymns in 1875. Sankey and Bliss's collection can be found in many libraries today.
The popularity of revival singers and the openness of rural churches to this type of music (in spite of its initial use in city revivals) led to the late 19th and early 20th century establishment of gospel music publishing houses such as those of Homer Rodeheaver , E. O. Excell, Charlie Tillman, and Charles Tindley . These publishers were in the market for large quantities of new music, providing an outlet for the creative work of many songwriters and composers.
Gospel music genres and subgenres
Christian country music
Christian country music, sometimes referred to as country gospel music, is a subgenre of gospel music with a country flair, is also known as inspirational country. Christian country over the years has progressed into a mainstream country sound with inspirational or positive country lyrics. In the mid-1990s, Christian country hit its highest popularity. So much so that mainstream artists like Larry Gatlin ,Charlie Daniels and Barbara Mandrell , just to name a few, began recording music that had this positive Christian country flair. These mainstream artists have now become award winners in this genre.
British Black Gospel
British black gospel refers to Gospel music of the African diaspora , which has been produced in the UK. It is also often referred to as urban contemporary gospel or UK Gospel.The distinctive sound is heavily influenced by UK street culture with many artists from the African and Caribbean majority black churches in the UK. The genre has gained recognition in various awards such as the GEM
(Gospel Entertainment Music) Awards,
MOBO Awards ,
Urban Music Awards and has its own Official Christian & Gospel Albums Chart,
Controversies
Some proponents of "standard" hymns generally dislike gospel music of the late 19th and early 20th centuries. For example, Patrick and Sydnor complain that commercial success led to a proliferation of such music, and "deterioration, even in a standard which to begin with was not high, resulted."
They went on to say, "there is no doubt that a deterioration in taste follows the use of this type of hymn and tune; it fosters an attachment to the trivial and sensational which dulls and often destroys sense of the dignity and beauty which best befit the song that is used in the service of God."Gold reviewed the issue in 1958, and collected a number of quotations similar to the complaints of Patrick and Syndor. However, he also provided this quotation: "Gospel hymnody has the distinction of being America's most typical contribution to Christian song. As such, it is valid in its inspiration and in its employment."
Today, with historical distance, there is a greater acceptance of such gospel songs into official denominational hymnals. For example, the United Methodist Church made this acceptance explicit in The Faith We Sing , a supplement to the official denominational hymnal. In the preface, the editors say, "Experience has shown that some older treasures were missed when the current hymnals were compiled."
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